Jentene borte hos Twitarded har gravd fram en perle av en artikkel som beskriver hvorfor vi elsker Twilight. Egentlig.
Jeg diskuterte Twilight senest i går da jeg snakket på telefonen med min gode venn AL, og siden vi power-chattet i reklamepausen til Vampire Diaries rakk vi bare kortversjonen: Twilightboka er rett og slett en skikkelig god bok (presisering - for sin sjanger), vi suges inn og hypnotiseres og blir forelska og besatt. Fra tidligere samtaler kan jeg legge til: Vi får være 17 år igjen. Robert Pattinson (den siste er mest min, da!).
The Once and Future Fairytale av Shahirah Majumdar
"There are those of us who are too stiff-fingered, too hardened by our many years around the merry-go-round to feel the tug of Stephenie Meyer's Twilight Saga. As stories go, this is one that's come around many times before."
Fra lionandlamb.
"We all know the gist by now: first love; a lion and a lamb; star-crossed lovers; suffering and redemption; a life given meaning by the presence of the other. Twilight tacks on vampires, a YA label, and a happy ending? just enough to make this book appropriate for the younger set. It also gives us a boy and a girl so consumed by their love for another that they are willing to endure any sacrifice, any indignity, any bodily pain or mental anguish for the sake of the other's happiness. For Bella and Edward, the complete erasure of the self would not to be too great a sacrifice to express the totality of their devotion. The Story of O doesn't have much on the Twilight Saga. On the other hand, Jesus might."
Fra Robsessed.
"A couple of nights after New Moon was released, I gave into the onslaught: to Caitlin Flanagan's piece in The Atlantic, to my married cousin's A++ reviews, to K-Stew and R-Pattz with his sanpaku eyes. I read all four books in one stretch and I dreamt hazy dreams which, unlike Bella, I can't remember, but, like Bella, I awoke disturbed, conscious of things unsettled inside of me: subdued desires, long-resigned ideals."
Fra Robsessed.
"It's pure fantasy, of course, pure revisionist nostalgia, unrealistic not because of its vampires and werewolves, but because of the way it limns that old story, the first fairy tale: that love is the whole history of a woman's life. To enter into the Twilight world is to slip into a lost continent, a Gondwanaland of the hormones that existed for a brief moment before the violence of experience tore everything apart. There is no shading here, neither in the book's thematic treatment nor in the extraordinary literalness of the writing itself. Light pools. Shadows bloom. Skin is either winter cold or burning hot. The story unwinds like the pet fantasy of teenage girl, lingering on every thought and touch and observation. No action is presented without being analyzed. No misunderstanding is cleared up if it can be dragged on for a hundred pages. And, if that misunderstanding is nearly fatal, if Bella can be pushed to the brink of destruction, and Edward can be left hating himself for bringing her so far, so much the better. The resolution is that much sweeter. The "torture the woman" school of storytelling has never gone out of style."
Det er mer! Les resten her.
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