Her snakker Nikki Reed, Jackson Rathbone, Julia Jones og Boo Boo Stewart om sine favorittscener fra Twilight:
Fra epnebelle via Twilight Lexicon.
Min? Har mange fra den første Twilightfilmen, men det må kanskje være Edward som entrer kafeteriaen. Eller Edward på parkeringsplass. Hvilkensomhelst. Han er ALLTID hot på parkeringsplasser. Også er jeg svak for "You are my life now". Episk positur i garasjen!
BringitonbringitonBRINGITON!!!
Viser innlegg med etiketten Julia Jones. Vis alle innlegg
Viser innlegg med etiketten Julia Jones. Vis alle innlegg
onsdag 2. november 2011
tirsdag 26. juli 2011
Comic-Con: Breaking Dawnpanelet
Her er hele greia på ett brett:
Alle fra EatEditEtc via Robsessed.
Pluss pluss pluss:
Et annet intervju med Rob og Kristen.
Moviefone snakker med Robert Pattinson.
Alle fra EatEditEtc via Robsessed.
Pluss pluss pluss:
Et annet intervju med Rob og Kristen.
Moviefone snakker med Robert Pattinson.
søndag 9. januar 2011
Ode til varulvene
Mens jeg venter på inspirasjon til å skrive et dyptpløyende innlegg om hvordan Cosmopolis påvirker Robert Pattinsons karriere, poster jeg en video om varulvene (eller skal jeg begynne å si formskifterne? Hva sier de egentlig i bøkene?) i Twilight:
Fra LakeBlackwater92.
Fra LakeBlackwater92.
torsdag 22. juli 2010
Twilight har mad skillz
Med fare for å bli den der håpløse bloggen som poster ting tre uker etter alle andre og tror de har funnet noe stort (de finnes sikkert!), må jeg dvele litt ved Twilight's Got Talent fra Lopez Tonight.
Jeg ramlet over noen videoer her jeg satt og leste meg opp på alle godsakene jeg har gått glipp av, og hadde helt glemt at jeg faktisk så litt av det her på TV da jeg var i USA - nærmere bestemt Billy Burke som gjorde et-eller-annet med munnen og Julia Jones som prøvde å treffe, og muligens traff, Papp-Edward med en amerikansk fotball. Noe som forøvrig må være forbudt ved lov? Eller i hvert fall burde vært forbudt. Fine Papp-Edward.
Uansett - dette er første gangen jeg ser alt, og det er jo artig å få med seg Twilightfolka sine mad skillz. Bare synd ikke Rob er med, det virker jo som om han har taket på dette med rokkeringer og fyrstikker. Eller han ble beskyttet mot seg selv.
Først ute er Boo Boo mini-Lautner Stewart, og Charlie Bewley (sistnevnte skikkelig glad for å havne sammen med Boo Boo - NOT):
Fra AllocatePlus.
KStew sjonglerer! Dette gjør jo MTV-ideen til Rob i hvert fall halvveis gjennomførbar!
Fra ouchimadiva.
Oooo! Det var DET Billy Burke gjorde. Han må ha dratt en del damer med det trikset. Og Julia må rykke to steg tilbake sammen med Charlie Bewley. Eller forresten, å treffe Papp-Jacob er kanskje tillatt?
Elizabeth Reaser og Peter Facinelli viser mad moves på dansegulvet. Å øyne, rens dere!
Også fra AllocatePlus.
Denne, derimot, er frisk og ny (fra i går, bare):
Fra LopezTonight via Eclipse movie.
Betyr dette at kroppen til Kellan Lutz bare ser så stor ut fordi hodet hans er så lite? Og vil det være alt jeg tenker på neste gang jeg ser Eclipse? Som er SNART?
Jeg ramlet over noen videoer her jeg satt og leste meg opp på alle godsakene jeg har gått glipp av, og hadde helt glemt at jeg faktisk så litt av det her på TV da jeg var i USA - nærmere bestemt Billy Burke som gjorde et-eller-annet med munnen og Julia Jones som prøvde å treffe, og muligens traff, Papp-Edward med en amerikansk fotball. Noe som forøvrig må være forbudt ved lov? Eller i hvert fall burde vært forbudt. Fine Papp-Edward.
Uansett - dette er første gangen jeg ser alt, og det er jo artig å få med seg Twilightfolka sine mad skillz. Bare synd ikke Rob er med, det virker jo som om han har taket på dette med rokkeringer og fyrstikker. Eller han ble beskyttet mot seg selv.
Først ute er Boo Boo mini-Lautner Stewart, og Charlie Bewley (sistnevnte skikkelig glad for å havne sammen med Boo Boo - NOT):
Fra AllocatePlus.
KStew sjonglerer! Dette gjør jo MTV-ideen til Rob i hvert fall halvveis gjennomførbar!
Fra ouchimadiva.
Oooo! Det var DET Billy Burke gjorde. Han må ha dratt en del damer med det trikset. Og Julia må rykke to steg tilbake sammen med Charlie Bewley. Eller forresten, å treffe Papp-Jacob er kanskje tillatt?
Elizabeth Reaser og Peter Facinelli viser mad moves på dansegulvet. Å øyne, rens dere!
Også fra AllocatePlus.
Denne, derimot, er frisk og ny (fra i går, bare):
Fra LopezTonight via Eclipse movie.
Betyr dette at kroppen til Kellan Lutz bare ser så stor ut fordi hodet hans er så lite? Og vil det være alt jeg tenker på neste gang jeg ser Eclipse? Som er SNART?
lørdag 24. april 2010
Mer Eclipse: Den offisielle traileren er oppe og går, og video av Livechatten
Endelig er traileren oppe og går både på youtube, Facebook og den nye, offisielle Eclipsesiden.
Jeg liker den siste traileren mye bedre enn den første: Den er mørkere, dystrere, Jacob er sintere, Edward også, det er farligere enn noen gang, vampyrhæren er creepy og på toppen av det hele skal det bli noe av dette frieriet. Alt puttet inn i en liten trailer. Nå har jeg enda mer lyst til at det skal bli 30. juni. Nå. Fort.
Her er livechatten med Bryce Dallas Howard, Nikki Reed og Julia Jones som gikk i natt. Mon tro om vi får vite noe nyt og spennende?
Alt via OfficialTwilightFilm.
Jeg liker den siste traileren mye bedre enn den første: Den er mørkere, dystrere, Jacob er sintere, Edward også, det er farligere enn noen gang, vampyrhæren er creepy og på toppen av det hele skal det bli noe av dette frieriet. Alt puttet inn i en liten trailer. Nå har jeg enda mer lyst til at det skal bli 30. juni. Nå. Fort.
Her er livechatten med Bryce Dallas Howard, Nikki Reed og Julia Jones som gikk i natt. Mon tro om vi får vite noe nyt og spennende?
Alt via OfficialTwilightFilm.
torsdag 22. april 2010
Spenningen stiger! Detaljene rundt Eclipsetraileren - så langt
Dette vet vi - oppdatert (se også debatten i kommentarfeltet, kanskje jeg må endre hele greia til dette tror TB...akkurat nå):
Eclipstraileren kommer på Oprah i morgen, fredag. Etterpå vil den være på den offisielle Twilightsiden, YouTubesiden, Facebook, whatnot og hver eneste Twilightblogg som er å oppdrive:-)
Dakota Fanning kommer på Oprah og presenterer traileren:
Etterpå er det videochat med Bryce Dallas Howard, Nikki Reed og Julia Jones:
Begge via Eclipse Movie.
Jeg HATER de her tidssonegreiene. Synes det er vanskelig å skjønne hvilken tid som er hvilken, og er redd for at jeg regner feil! SOM AT JEG ROTER MED AM OG PM (takk Miss, A):
Men det ser ut som om de opererer med at traileren går på lufta 8 ET, siden chatten som skal være etterpå begynner 8.15 ET. Det betyr kanskje at Oprah går på lufta klokka 8 og ikke 9 som tidligere rapportert. ET er 7 timer bak oss, noe som betyr at vi kanskje får se traileren i tretida om natten? Eller? Hvis ikke traileren går på day-time TV og chatten er om kvelden? (fant en tv-stasjon i New york som sender Oprah 4 PM).
Basically, jeg har surret så fælt nå at jeg ikke helt vet lenger:-)
Spenningen stiger! Wohoo!
*TB, din presise og pålitelige nyhetsformidler LOL*
Eclipstraileren kommer på Oprah i morgen, fredag. Etterpå vil den være på den offisielle Twilightsiden, YouTubesiden, Facebook, whatnot og hver eneste Twilightblogg som er å oppdrive:-)
Dakota Fanning kommer på Oprah og presenterer traileren:
Etterpå er det videochat med Bryce Dallas Howard, Nikki Reed og Julia Jones:
Begge via Eclipse Movie.
Jeg HATER de her tidssonegreiene. Synes det er vanskelig å skjønne hvilken tid som er hvilken, og er redd for at jeg regner feil! SOM AT JEG ROTER MED AM OG PM (takk Miss, A):
Men det ser ut som om de opererer med at traileren går på lufta 8 ET, siden chatten som skal være etterpå begynner 8.15 ET. Det betyr kanskje at Oprah går på lufta klokka 8 og ikke 9 som tidligere rapportert. ET er 7 timer bak oss, noe som betyr at vi kanskje får se traileren i tretida om natten? Eller? Hvis ikke traileren går på day-time TV og chatten er om kvelden? (fant en tv-stasjon i New york som sender Oprah 4 PM).
Basically, jeg har surret så fælt nå at jeg ikke helt vet lenger:-)
Spenningen stiger! Wohoo!
*TB, din presise og pålitelige nyhetsformidler LOL*
tirsdag 6. april 2010
Melissa Rosenberg snakker New Moon, Eclipse, Breaking Dawn og PG-13
Det er ikke så lenge siden jeg postet et annet intervju med Melissa Rosenberg. Her snakker hun litt om de samme tingene, men også mer og annet. Jo mer vi får vite om Eclipse og Breaking Dawn, jo mer spennende er det!
Jeg kryssklipper med nye stillbilder fra Eclipse.
Melissa Rosenberg on New Moon, Eclipse, and Breaking Dawn's Potential MPAA Rating av Laremy Legel.
"Melissa Rosenberg is a busy woman. In the past few years she's adapted three parts of The Twilight Saga for the screen, all the while writing and producing for the hit Showtime series Dexter. How does she balance her life and work? What can we expect from Breaking Dawn? And what's the difference between the three directors she's worked with on Twilight, New Moon, and Eclipse? All those answers and more in our exclusive interview."
Edward i svart t-skjorte.
"Laremy Legel: When I talked to you for Twilight you were just dipping your toes into the fandom, and what it was all about. Do you check fan sites these days?
Melissa Rosenberg: I stay off the Internet, because I'm very sensitive to commentary. There could be 10 comments of "Fabulous job!" and one "She's horrible!" and it completely throws me. When you're writing you're constantly fighting demons to sit down and do what you do. If you listen to the voices outside your head, in addition to the ones inside your head, you'll never get anything done. There's enough inner strife."
Angela. Det er det hun heter? Jeg blogger for lite om Angela.
"I do, however, maintain a fan site, where people are mostly kind. It's interesting reading their comments, because they talk about what's important to them, what things really register, what things I need to capture. So I do rely on that."
Mistah Kung-Fu, hair-stylist-on-drugs style.
"LL: I think your writing has amazing range; from Dexter to Twilight is a pretty big distance. But do you worry about being locked into a particular genre? Do screenwriters get typecast? Or does that not happen?
MR: Oh, it happens all the time. You become the "teen voice" writer. Studios, because they are investing a great deal of money in movies, they want a guarantee that when they hire somebody that person can deliver for them. Everything is fear based, so they pigeonhole people. But I've written everything, from Westerns to sci-fi to dramedy, I've done it all. I have my strengths and my weaknesses, and the things I prefer not to do, but like most writers I can do, and like to do, a variety of things."
Alle elsker Alice.
"I'm sure I'll be offered all sorts of romantic teen dramas as I move forward, because I've now written plenty of them, and I won't be doing that again. It's not of interest me. I do lean more towards doing different kinds of things.
LL: Do you approach each project, as a writer, with the core audience in mind? In other words, do you think, "Well, this is for a teen, and this is for an adult, so I've got to handle it this way?"
MR: No, I really don't. It really isn't about age. It's really about writing character and emotion, and the emotional journey. If you start writing to an audience you're talking down to them. I've never written for any age group, I just write character. If you can capture that you'll get the audiences, and it will be a wide range, as it is for Twilight, it's a pretty wide range. That stems from Stephenie [Meyer] -- I'm adapting her stories, I didn't invent any of this, but my job is to adapt it and keep the story as universal it was in the novels."
Tayob i svart t-skjorte. Jeg begynner å ane et mønster.
"LL: Can you give me one sentence on each director you've worked with, what their main strength is, for The Twilight Saga?
MR: Catherine Hardwicke, she brought a very intimate feel. She had a very indie sensibility, she brought those characters to the screen in a very intimate way.
Chris Weitz did sweeping drama. Beautiful visually, and very classic epic storytelling.
David Slade, so far (the process isn't done yet), brings a level of pacing and intensity."
Black in black. Jeg elsker herved klesstylisten.
"LL:How much input do you get on the next director? Do they ask you about certain names? Or do they come to you with who you're working with?
MR: It's definitely not up to me. I've seen lists and weighed in, and they always welcome input, which is lovely, but ultimately it's their decision and they'll do what they do and I'll work with whomever they choose. I had no knowledge of the first three directors and it worked. Generally speaking they [the list] are people I haven't worked with before."
Ikke pent av Victoria.
"LL: Can you talk about Taylor Lautner's growth into a leading man? It's seems like he's really come a long way from Twilight.
MR: Taylor is unusual because he easily could have lost that part. He was a day player in the first movie, and there were all these discussions about whether he'd be coming back. He took it upon himself to transform himself into a leading man. He made himself a leading man. That was nobody but him, he made that for himself.
Taylor Lautner is a rare breed. He wanted something and he made it happen. It easily could have gone the other way, if he doesn't do anything maybe it doesn't happen for him. Incredibly driven. That character is such a physical character that it had to be a transformation."
Kanskje den mest etterlengtede utsikten noensinne.
"LL: You've been writing Dexter and The Twilight Saga for the better part of four years now. How do you maintain a balance with your personal life? Or is it just about "The jobs are available now, I'm going to work as hard as I can right now because I don't know if I'll get another shot like this?"
MR: It's the second one. There is no life balance. I've been working for many years and I'm well aware of how rare an opportunity it is to have even one of these projects available, much less both. It's an extraordinary opportunity. You just don't walk away from opportunities like that because you're too tired or it's too much work. I had to grasp them both, and fortunately I have a very understanding husband and very understanding friends."
"I am vampire". Forrresten, feil vampyrer.
"LL: If an adaptation felt to you like an R rating, but the studio wanted you to bring it in at a PG-13, would that be doable?
MR: Oh yeah. It's completely doable. You don't sacrifice story by cutting language. Nor do you sacrifice story by showing less blood or gore, or whatever it is that's bringing you to an R rating. It doesn't hurt it. When Dexter was aired on CBS they had to re-cut some of it for network television and all they had to do was cut some language. There's more blood and gore in an episode of C.S.I., though of course Dexter is more disturbing. Not because of what you see, but because of what's implied. I don't think you take away from suspense or character by altering a few things like that."
Frøken Julia Jones aka Leah Clearwater.
"LL: Having read Breaking Dawn, where things get ratcheted up a notch, do you still go for that PG-13 rating?
MR: Oh yeah, absolutely. That's your audience. In this series you don't sacrifice anything. There are some movies that wouldn't play at PG-13, like The Hangover, but this is just not one of them for me. Again, if you're capturing character, emotion, and emotional journey, you're OK."
Det var HAN som spiste opp alle pølsene.
Alle bilder fra Twifans via ILBWS.
Sjekk ut resten av bildene her.
Intervjuet funnet borte hos Twilight Lexicon.
Jeg kryssklipper med nye stillbilder fra Eclipse.
Melissa Rosenberg on New Moon, Eclipse, and Breaking Dawn's Potential MPAA Rating av Laremy Legel.
"Melissa Rosenberg is a busy woman. In the past few years she's adapted three parts of The Twilight Saga for the screen, all the while writing and producing for the hit Showtime series Dexter. How does she balance her life and work? What can we expect from Breaking Dawn? And what's the difference between the three directors she's worked with on Twilight, New Moon, and Eclipse? All those answers and more in our exclusive interview."
Edward i svart t-skjorte.
"Laremy Legel: When I talked to you for Twilight you were just dipping your toes into the fandom, and what it was all about. Do you check fan sites these days?
Melissa Rosenberg: I stay off the Internet, because I'm very sensitive to commentary. There could be 10 comments of "Fabulous job!" and one "She's horrible!" and it completely throws me. When you're writing you're constantly fighting demons to sit down and do what you do. If you listen to the voices outside your head, in addition to the ones inside your head, you'll never get anything done. There's enough inner strife."
Angela. Det er det hun heter? Jeg blogger for lite om Angela.
"I do, however, maintain a fan site, where people are mostly kind. It's interesting reading their comments, because they talk about what's important to them, what things really register, what things I need to capture. So I do rely on that."
Mistah Kung-Fu, hair-stylist-on-drugs style.
"LL: I think your writing has amazing range; from Dexter to Twilight is a pretty big distance. But do you worry about being locked into a particular genre? Do screenwriters get typecast? Or does that not happen?
MR: Oh, it happens all the time. You become the "teen voice" writer. Studios, because they are investing a great deal of money in movies, they want a guarantee that when they hire somebody that person can deliver for them. Everything is fear based, so they pigeonhole people. But I've written everything, from Westerns to sci-fi to dramedy, I've done it all. I have my strengths and my weaknesses, and the things I prefer not to do, but like most writers I can do, and like to do, a variety of things."
Alle elsker Alice.
"I'm sure I'll be offered all sorts of romantic teen dramas as I move forward, because I've now written plenty of them, and I won't be doing that again. It's not of interest me. I do lean more towards doing different kinds of things.
LL: Do you approach each project, as a writer, with the core audience in mind? In other words, do you think, "Well, this is for a teen, and this is for an adult, so I've got to handle it this way?"
MR: No, I really don't. It really isn't about age. It's really about writing character and emotion, and the emotional journey. If you start writing to an audience you're talking down to them. I've never written for any age group, I just write character. If you can capture that you'll get the audiences, and it will be a wide range, as it is for Twilight, it's a pretty wide range. That stems from Stephenie [Meyer] -- I'm adapting her stories, I didn't invent any of this, but my job is to adapt it and keep the story as universal it was in the novels."
Tayob i svart t-skjorte. Jeg begynner å ane et mønster.
"LL: Can you give me one sentence on each director you've worked with, what their main strength is, for The Twilight Saga?
MR: Catherine Hardwicke, she brought a very intimate feel. She had a very indie sensibility, she brought those characters to the screen in a very intimate way.
Chris Weitz did sweeping drama. Beautiful visually, and very classic epic storytelling.
David Slade, so far (the process isn't done yet), brings a level of pacing and intensity."
Black in black. Jeg elsker herved klesstylisten.
"LL:How much input do you get on the next director? Do they ask you about certain names? Or do they come to you with who you're working with?
MR: It's definitely not up to me. I've seen lists and weighed in, and they always welcome input, which is lovely, but ultimately it's their decision and they'll do what they do and I'll work with whomever they choose. I had no knowledge of the first three directors and it worked. Generally speaking they [the list] are people I haven't worked with before."
Ikke pent av Victoria.
"LL: Can you talk about Taylor Lautner's growth into a leading man? It's seems like he's really come a long way from Twilight.
MR: Taylor is unusual because he easily could have lost that part. He was a day player in the first movie, and there were all these discussions about whether he'd be coming back. He took it upon himself to transform himself into a leading man. He made himself a leading man. That was nobody but him, he made that for himself.
Taylor Lautner is a rare breed. He wanted something and he made it happen. It easily could have gone the other way, if he doesn't do anything maybe it doesn't happen for him. Incredibly driven. That character is such a physical character that it had to be a transformation."
Kanskje den mest etterlengtede utsikten noensinne.
"LL: You've been writing Dexter and The Twilight Saga for the better part of four years now. How do you maintain a balance with your personal life? Or is it just about "The jobs are available now, I'm going to work as hard as I can right now because I don't know if I'll get another shot like this?"
MR: It's the second one. There is no life balance. I've been working for many years and I'm well aware of how rare an opportunity it is to have even one of these projects available, much less both. It's an extraordinary opportunity. You just don't walk away from opportunities like that because you're too tired or it's too much work. I had to grasp them both, and fortunately I have a very understanding husband and very understanding friends."
"I am vampire". Forrresten, feil vampyrer.
"LL: If an adaptation felt to you like an R rating, but the studio wanted you to bring it in at a PG-13, would that be doable?
MR: Oh yeah. It's completely doable. You don't sacrifice story by cutting language. Nor do you sacrifice story by showing less blood or gore, or whatever it is that's bringing you to an R rating. It doesn't hurt it. When Dexter was aired on CBS they had to re-cut some of it for network television and all they had to do was cut some language. There's more blood and gore in an episode of C.S.I., though of course Dexter is more disturbing. Not because of what you see, but because of what's implied. I don't think you take away from suspense or character by altering a few things like that."
Frøken Julia Jones aka Leah Clearwater.
"LL: Having read Breaking Dawn, where things get ratcheted up a notch, do you still go for that PG-13 rating?
MR: Oh yeah, absolutely. That's your audience. In this series you don't sacrifice anything. There are some movies that wouldn't play at PG-13, like The Hangover, but this is just not one of them for me. Again, if you're capturing character, emotion, and emotional journey, you're OK."
Det var HAN som spiste opp alle pølsene.
Alle bilder fra Twifans via ILBWS.
Sjekk ut resten av bildene her.
Intervjuet funnet borte hos Twilight Lexicon.
onsdag 18. november 2009
Dagens New Moon mania videoer
Jeg fortsetter å se premierevideoer dagen lang, og her er de jeg likte best i dag!
Varulvene på den røde løperen - inkludert Tinsel Corey - og mitt første videomøte med Leah og Seth (deres eksistens ignorert til nå pga andre prioriteringer:-)
Fra FePattz2.
Stephenie Meyer er Team begge deler og støtter objektifiseringen av menn i Twilightsagaen. Wohoo Stephenie!
Også FePattz2.
Litt objektifisering. Jeg liker særlig når de begynner å snakke om Taylor, mens kameraet ikke klarer å slippe Rob (det er i hvert fall versjonen i mitt hode):
FePattz2.
Robert Pattinson slår et slag for at Twilight ikke bare er for jenter:
Fra EyeBiteTV.
Denne er med utelukkende fordi Rob snakker om sine fremtidige barnebarn fra 2:10. I kor: O-M-R! Tenk dette, men med Rob i hovedrollen...
FePattz2.
Varulvene på den røde løperen - inkludert Tinsel Corey - og mitt første videomøte med Leah og Seth (deres eksistens ignorert til nå pga andre prioriteringer:-)
Fra FePattz2.
Stephenie Meyer er Team begge deler og støtter objektifiseringen av menn i Twilightsagaen. Wohoo Stephenie!
Også FePattz2.
Litt objektifisering. Jeg liker særlig når de begynner å snakke om Taylor, mens kameraet ikke klarer å slippe Rob (det er i hvert fall versjonen i mitt hode):
FePattz2.
Robert Pattinson slår et slag for at Twilight ikke bare er for jenter:
Fra EyeBiteTV.
Denne er med utelukkende fordi Rob snakker om sine fremtidige barnebarn fra 2:10. I kor: O-M-R! Tenk dette, men med Rob i hovedrollen...
FePattz2.
Abonner på:
Innlegg (Atom)
